pliz help...prijevod kratkog teksta

[white devil]

A i ovaj na engleskom, k'o da si words zahvatio shakom, pa razbacao po paperu, bez ikakvog redosleda...Meine Liebe Got! Nema translatora bez onog zivog, zajebi ti to!

[tzukius]

bravo white devil... zaista bravo

znam da nije neka fora prijevod... doduše ja sam ubacio u nizozemsko-engleski translator... nema danskog

[BITCHARKA]

ETO NA ENGLESKOM...rastrgana sam na sve strane...i imam nocas puno toga za faks napraviti..

pa ako bi netko imao vremena prevesti ovo..znam da je engleski..ali meni je malo komplicirano i oduzima mi puno vremena...

nagrađujem sa 3 svojevremene REPUTACIJE... HE HE EHE....OZBILJNO

NO EVO TEKSTIĆA


Blokland, Frank E

Frank Blockland
Frank E. Blokland has a strong aversion to typefaces that are casually made, or careless

re-works of earlier designs. His uncompromising opinions about type are evident not only in

the many articles he has written, but also in the typefaces he has drawn.

An Award-Winning Start
Blokland studied graphic and typographic design at the Royal Academy of Arts in The Hague

from 1978 to 1982. While still a student he founded the successful working group Letters,

from which many well-known Dutch type designers have emerged.

In 1985, Blokland won a type design contest with a face called Bernadette, which was then

published as a dry transfer font. (Today, Blokland considers Bernadette an immature exercise

and has declined to issue it as a digital font.) After Bernadette, Blokland designed a

monument and lettering for the Royal Dutch Mail. More lettering assignments followed,

including the Homomonument near the Westerkerk in Amsterdam, the plaque at the Jewish

Orphanage in Leiden, and the Franciscanessen-monument in Oegstgeest.

When famed teacher Gerrit Noordzij retired in 1987 from the Royal Academy of Arts in The

Hague, Blokland was the first of the younger generation of designers to succeed him.

Blokland now lectures in letter drawing, type design and font production courses at this

institute.

In 1990 Blokland founded the Dutch Type Library (DTL), which was the first digital type

foundry in the Netherlands. Since its founding, DTL has released many exceptional typeface

designs; two of these have been in conjunction with Monotype.

Two Uncompromised Faces
Uncompromising as he is in his own work, Blokland also has used his gifts to help undo

compromises other designers have been forced to make in the past. Consider the histories of

Haarlemmer and Albertina, two faces that received exquisite revivals at Blokland's hand.

Blokland's Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface. The

original was drawn in the late 1930s to set a new edition of the Bible, using Monotype metal

typesetting. Fonts for these machines had to be created within a crude system of

predetermined character width values. Even the italic characters often had to share the same

widths as those in the roman design. Van Krimpen believed this severely impaired the design

process. The invasion of Holland during World War II halted all work on the Bible project,

and the original Haarlemmer never went into production.

Blokland wanted to revive the Haarlemmer design, but this time as Van Krimpen would have

intended. He reinterpreted the original drawings and created a typeface that matched Van

Krimpen's concept as nearly as possible, minus the technical limitations of metal

typesetting. The result goes one step beyond authentic: it shows how Van Krimpen wanted the

face to be designed in the first place.

The revival of Albertina offers a similar story. In the early 1960s, designer and

calligrapher Chris Brand aspired to draw a typeface based on the principles of calligraphy.

Unfortunately, typesetting technology still put restrictions on typeface design, and Brand

was never completely satisfied with the results of his efforts.

Blokland revived Albertina by using Brand's original drawings as the foundation of a digital

re-make. With the full backing of Monotype, and with Chris Brand looking over Blokland's

shoulder, a new design for Albertina emerged that displayed all the grace and verve of

Brand's original sketches.

[Kristijan]

looooooooooooooooooooooooooooooool

čak 3 reputacije

[BITCHARKA]

ah nije smijesno....

pliz netko

[_zabac14_]

ajoj ja nemam kaj radit pa bi mogo prevest,al 3 boda je pre malo za taj trud ,tu ima 1 vremena rada..

[teica]

Da je njemački možda bi ti i pomogla, ovako...

Ne znam tako dobro.

[Kristijan]

ni ja isto ne znam engleski tak dobro, nisam nikad učio

[BITCHARKA]

Pravi autor: _zabac14_

ajoj ja nemam kaj radit pa bi mogo prevest,al 3 boda je pre malo za taj trud ,tu ima 1 vremena rada..

100 rep bodova....garantiram ti...
srediti cu nesto kod administratora

ah...da znas koliko bi mi to znacilo....

[Kristijan]

aj aj može 100 rep bodova

znam da joj je jako jako jako važno inače bi je otkantao i rekao sama si prevodi, ali tako joj gori pod nogama da mora imati led pod nogama